Every legend has a city. New York saw her born, Athens trained her, Milan crowned her — but Paris is the city Maria Callas chose.

1958 — the conquest

It began as a coronation. On 19 December 1958, for her Paris debut at the Palais Garnier, the French capital turned out as for a head of state: the President of the Republic, Cocteau, Chaplin, Bardot, the Windsors. The gala — Norma, Il trovatore, Il barbiere, and a staged act of Tosca — was broadcast across Europe. Paris fell in one evening, and never quite recovered.

!Maria Callas on the night of the Paris gala — © Fonds de Dotation Maria Callas The Foundation restored that night in 4K and returned it to cinemas for her centenary: Callas – Paris, 1958.

The Paris years

In the 1960s, Paris became her home. Her last staged Normas were sung at the Opéra in 1964 and 1965 ; her final Paris Toscas in 1965, in Zeffirelli's production — the costume is in the Foundation's collection. It was in Paris that she recorded Carmen with Georges Prêtre, in French — the language of her adopted life.

And it was at 36 avenue Georges-Mandel, in the 16th arrondissement, that she lived her final years — reading, listening, working, far from the stage — and where she died on 16 September 1977, at fifty-three.

The city's debt

Paris has honoured many of its adopted artists with walls of their own. For Maria Callas, that place does not yet exist. The Foundation — created in Paris in 2017 by her closest friends and associates — intends to build it: the Maria Callas Museum in Paris, with the fiftieth anniversary of her passing, 16 September 2027, as its horizon.

A city she chose deserves to choose her back.

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50th anniversary · 16 September 2027

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